When it comes to future work, I'm looking at video monopods. They cover so many bases, it's hard to compete for run and gun jobs. Here are three reasons why video monopods are wonderful and would make a great addition to your kit.
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With bigger projects, and more high profile clients, it makes sense to use the right tools to get the job done. As I've started to plan out my different jobs for the first half of the year, improving the quality of my production equipment is something that has been on my mind.
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Earlier this year, I had the awesome pleasure of getting to shoot a Kickstarter video for Maryland Meadworks, a new meadery opening up in my hometown of Hyattsville, MD. Owned by Ken Carter, MMW is tapping into the growing hotspot that is Hyattsville.
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As more and more devices display content in 4K and HDR content, putting out content in those formats helps it stick out against the rest of the pack. My current kit is heavy and only outputs video in 1080p.
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Like any other photographer or tech lover, Nikon's announcement of the D850 is something that turned heads everywhere. After some hand's on time with, I can say it lives up to the hype
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