A lot of articles have come out on what’s happening in the photography world. Here are my favorite articles and videos this week.
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Last night here in Seattle, Sony held a community event, inviting the photography community at large to come, have fun, try out various Sony Alpha bodies and lenses, and shoot different subjects in different scenarios while mingling over cocktails and color science.
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Last week, the floodgates were opened on official news from both Nikon and DJI on their newest tech after what seemed to be months of leaks and rumors. Nikon offered up their new mirrorless camera line, the Z Series, a clear response to Sony's own mirrorless lineup and the shift that it they have caused in the industry by rapidly delivering multiple iterations of cameras over the past few years.
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It's a new week, which means it's time for a new episode of Starter Series, my YouTube series based on finding affordable equipment to help you create better photo and video content. This week, the topic of interest is the 35mm f/1.8 lens, and for this video, I'm using the DX cropped sensor version.
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When starting out in photography, you might not have access to the best lenses. If you're lucky enough to jump into this with a 24-70mm f/2.8 lens, more power to you. But for the rest of us, we might start from a more humble origin, in the form of kit lenses.
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When it comes to future work, I'm looking at video monopods. They cover so many bases, it's hard to compete for run and gun jobs. Here are three reasons why video monopods are wonderful and would make a great addition to your kit.
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When it comes to editing video content as of late, my process has been to shoot in the highest quality format I can, and then to take that footage and organize it onto my MacBook Pro’s internal SSD. Having everything on a drive that fast makes it easier to do edits versus running them off an external hard drive.
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"Reality is created by the mind, we can change our reality by changing our mind." --Plato
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With bigger projects, and more high profile clients, it makes sense to use the right tools to get the job done. As I've started to plan out my different jobs for the first half of the year, improving the quality of my production equipment is something that has been on my mind.
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Since starting the promo for her new album, MASSEDUCATION, St. Vincent (Anne Clark) has been releasing deeply saturated visuals that burst with color. With the release of the official video for her new single, Los Ageless, directed by Willo Perron, the palette choices are taken to a new level.
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As more and more devices display content in 4K and HDR content, putting out content in those formats helps it stick out against the rest of the pack. My current kit is heavy and only outputs video in 1080p.
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